The Pattern of Organic LIfe in America, 1943–45
This unpublished manuscript includes over 300 pages of writing, drawing, and sketches in which Smith calls for uniting the seemingly disparate aspects of American culture, and for a new approach to architecture grounded in the geometries of nature and the abstract forms of infrastructural modernity.
Graphite on gridded paper, 7 5/8 × 9 5/8 in. (19.4 × 24.4 cm)
Fritz and Jeanne Bultman House, Provincetown, Massachusetts, 1945
Sketchbook #18, ink on paper, 9 3/4 × 7 3/4 in. (24.8 × 19.7 cm)
Mr. & Mrs. George Wise House, Palisades, New Jersey, 1950
Elevation, blueprint, 12 × 16 in. (30.5 × 42.9 cm)
Radial Circulation, 1950.
Experiments with the geometries of radial urban planning.
Sketchbook #66, ink on ruled paper
Each page 8 3/8 × 6 7/8 in. (21.3 × 17.5 cm)
Frank P. Jaros House, Great Neck, New York, 1952
Ink and graphite on gridded paper, 11 × 8 3/8 in. (27.9 × 21.3 cm)
Roman Catholic Church in an "Ideal" American Landscape, 1953
Section, graphite on tracing paper, 16 3/8 × 18 3/4 in. (41.6 × 47.6 cm)
Olin House, 1953–54
Designed for Olin Industries, this study served as a model for prefabricated housing.
Rendering, ink on gridded paper, 8 1/4 × 11 5/8 in. (21 × 29.5 cm)
Glass House, 1954
In his plan for a glass house, Smith incorporates a prismatic faceting within an otherwise rigid steel framing system, transforming the strict formal geometries.
Perspective, charcoal on paper, 12 1/8 × 17 3/8 in. (30.8 × 44.1 cm)
Steve Burke House, 1954
Elevation and section, graphite on tracing paper
19 1/8 × 24 1/2 in. (48.6 × 62.2 cm)
Dr. Leonard Siegel House, Long Island, New York, 1959–61
Two schemes exist for this unbuilt house design.
Axonometric, graphite on paper, 13 7/8 × 16 3/4 in. (35.2 × 42.5 cm)